On Practice: Sitting
By Daniel Roest

For the maximum potential for virtuosity, the guitar obviously must be in a certain place. If you hold it down at your knees with the neck aiming out at the audience, you can just forget any fast scales with the 4th finger on the bass strings. By contrast, if you sit or stand without the guitar, arms down, bend your left arm at the elbow and see where your hand comes  up to (about 8 inches from your left shoulder), then put the guitar neck there, you'll see where the guitar needs to be to be played at the optimum level. It's all about access to the fretboard. If you want excellence, you have to start at the base of your pyramid of technique  how you sit or stand and hold the guitar.
The next job is to keep the guitar stable. Look to the traditional classical guitar sitting position for a model of stability. The neck isn't going to wiggle when this position is employed. The guitar is supported against the chest, the inside right thigh, on the left leg, under the right arm, and even on the chair seat between your legs if you like.
Back to Mini-Lessons
Lessons Top Page
www.danielguitar.com
your source for guitar excellence
GOT GUITAR QUESTIONS?
FREE ANSWERS

Fingernails!
The Blues
Building A Repertoire
Chords.
Dynamics
Expression
Getting Started
Getting the Most Out of Your Lessons
How the Guitar Works
How to Practice A New Piece of Music
Arpeggios
How Much Should Lessons Cost?
Barre Chord Success
Free Online Metronome
How to Build a Classical Guitar
Having a Career As A Classical Guitarist
How to Practice A New Piece of Music
Inspiration,Part 1: Role Models
Legato
Planning Practice Time
Poem: "My Son and His Guitar"
Nail Breaks
The Hierarchy of Left Hand Technique
Just Before You Perform, by David Leisner
Performance Anxiety
Planting
Reading
Relaxation
The Left Hand
I Played This Better At Home!
I'm Stuck in a Rut!
Inspriration, Part 2: Music Quotes
Jerry Snyder's How to Practice
Using the Metronome
Tremolo Technique
Scales
Sitting
Speed in Arpeggios
Stretching
Strings
The Right Hand
Tuning
Theory
Tablature
Seven Habits for Healthy Performance
by Gerald Klickstein
What Makes a Flamenco Guitar?